It's difficult to choose between "Citizen
Kane" and "Notorious." “Citizen Kane” has wonderful camera
shots. Welles was one of the first to use the famous deep focus technique in
his film. Using this shot, the spectators could clearly see every actor scattered
at different depths within the scene. These deep focus shots are extremely
unique and technical. When Charles’ parent discusses with Mr. Thatcher, I could
clearly see young Charles and the sled through the window behind them. Next, I
love the use of the crane shot. I was like a bird flying in the sky looking
down at the warehouse, then flying down to see the “Rosebud” in the fire.
On the other hand, “Notorious” has a
beautiful shot that passes the faces of Devlin with Alicia, Alex, and Alex’s
mother down to the three spies. Another interesting shot is when the camera
goes past Alicia's face, changes to her perspective, then rotates to show
Devlin standing beside the door.
"Notorious"
uses many close-up shots to create tension and direct the audience's attention.
There's a close-up shot of a key in Alicia's twisting hand, which
then moves to her husband's face when he holds her hand. Another example is
when the camera focuses close on the solemn face of the spy. I felt very
nervous during the dolly shot moving across the labels of the wine bottles
because of the anticipation of him discovering the swapped wine bottle. The
camera then stopped on a close-up of a bottle with a label of 1940 instead of
1934. Hitchcock also used close-up shots to show the emotion between the
characters. At the end of the film, there is a close-up of Alicia's smiling
face when Devlin prevented Alex from getting into the car. These close-up shots
deeply touched my mind. Moreover, I find it delightful to watch romantic shots
with kisses between Alicia and Devlin. I love that Hitchcock's movie is full of
romance and emotions. Therefore, “Notorious” is my favorite film.
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